Light is invented, it must be found. Martin embraces the universe of nothingness. Space is empty, even before the interpreters invade the stage, its lights have the function of creating volumes and giving life to a place. This research suggests a decorative and scenographic value, a sensorial power to lighting even before trying to unveil.
Our perceptions modify space, its concepts freeze the viewer in a position of listening, of opening to give to see and to hear so that we can sublimate our imaginary and thus continue to invent in real time.